Description

By (author) Reza Sadr Hamid

Short /annotation
Post-revolutionary Iranian cinema has gained the attention of international audiences. Featuring a history of Iranian cinema, this book presents an argument that embedded within mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time which express the ideological underpinnings of a society.

Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran”s cinema, offering vivid s of all key films.”Iranian Cinema” looks at recurring themes and tropes, such as the rural versus the ”corrupt” city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf”s astonishing Kandahar to Saddiq Barmak”s angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.

Biographical note
Hamid Reza Sadr is a film critic and writer based in Tehran.